UK Theatre Network

As the house lights dim to clock bells chiming, the scene is set for Dickens’ dark tale – only to be broken by some beautiful company singing of various Christmas songs in a wonderful “round” arrangement.

Like a picture postcard of Dickensian London, the set and costumes are a big clue to the sumptuous production that lies ahead – and the audience are not let down in anyway. With fantastical effects from illusionist Paul Kieve (famous for being Magic Consultant on the Harry Potter films and also to Derren Brown, as well as creating the spectacular effects for the current west end production of Ghost The Musical) there really is no expense spared in this production. The orchestra create a wonderful sound and are accompanied by a very tight company on stage, whose vocal talents and energy do well to overcome what is really a forgettable score. The best effect of all however is Tommy Steele himself. Leading the show at the age of 75, he is very rarely off stage and has the energy of men a third of his age. It is difficult not to like Ebenezer Scrooge when played by Mr Steele and his disparaging remarks and “bah-humbug” throw-away lines provide great humour, in what is already a charming and witty script. He also shows that he still has the voice to carry off songs like “A Better Life” and “Begin Again” with great style and control.

A show however cannot survive on its leading man alone, and luckily this is an exceptionally talented company, with a real community feel . Barry Howard is a greatly grumpy Jacob Marley – a far cry from the role that made him famous, as Barry the Ballroom dancer in Hi-De-Hi. He was also involved in one of the most exciting effects in the show, and his first appearance in Scrooge’s bedroom saw the whole audience jump with surprise. Sarah Earnshaw and James Head make exceptional ghosts too, in very different ways. Miss Earnshaw’s rather serene and sweet Ghost Of Christmas Past was a very gentle start to Scrooge’s change of heart, quickly followed by the Brian Blessed style presence of James Head’s Ghost Of Christmas Present. His view of the Cratchit family Christmas gave us a chance to see some lovely performances from the local children procided by Ann Edmonds’ Starstruck Stage School, in particular young Ethan Kerr as Tiny Tim whose touching rendition of “The Beautiful Day” was beautifully sung and would bring a lump to any throat.

Director Bob Tomson has put together a very slick production utilising a clever set from Paul Farnsworth. Lisa Kent has created some nice touches in the choreography too, making good use of the set, particularly in the number “Thank You Very Much”. The only downside I can find for this Christmas show is that it is not here for longer, as it would be a lovely treat for the family on Christmas Eve (although I’m sure Sleeping Beauty will be an adequate replacement – either the Ballet in this theatre, or the pantomime in sister venue The Kings). As you only have until Saturday, make sure you don’t feel like the miser and treat yourself to one of the best shows you’ll see this year.

Listings

Mon-Sat Evenings – 7.30pm

Thu & Sat Matinees – 2.30pm

Tickets £11-£32

Box Office: 08448 717 647 (bkg fee)                 
Web: www.atgtickets.com/glasgow (bkg fee)

 Treasure Island is arguably one of the greatest works of storytelling in the English language. It developed from an imaginary map that Stevenson and his stepson Lloyd Osbourne had devised on holiday and this goes some way towards explaining the book's appeal among children. The tale is the archetypal nineteenth century ripping yarn, set in the “golden age of piracy.” Our narrator is Jim Hawkins, son of a guesthouse owner on the west coast of England sometime in the early eighteenth century. To the inn come firstly an old buccaneer who has a map of Captain Flint's treasure, and secondly a group of pirates under the command of ominous blind man Pew. Jim Hawkins, in an act of bravery and cunning, gets hold of the map before this rabid mob gets it. He delivers the map to Squire Trelawney, and together they set off for Treasure Island in the Squire's schooner. The rest of the crew, apart from Dr Livesey, are selected by Long John Silver. The latter and his men try to mutiny and get hold of the treasure themselves but Jim intervenes and through a series of enthralling adventures we find ourselves on Treasure Island with the marooned Ben Gunn and ever closer to the treasure itself.

The auditorium of the Rose is changed into a pirates' paradise (set design – Paul Wills) complete with treasure map, anchors, boats, fishing nets, ropes, and a treasure chest. The floor is transformed into the ocean by the beautiful lighting (designed by Ben Ormerod) and the sound of waves crashing against the shore. There are many cheerful seafaring songs in the show including What Shall We Do with the Drunken Sailor, 15 Men on the Dead Man’s Chest, The Good Ship Hispaniola, and the highly addictive tune Treasure Island Bound which set the right mood for this great swashbuckling adventure.  There are good performances throughout - Harry McEntire plays an endearing Jim Hawkins, Richard Bremmer convinces as the charismatic Long John Silver, and Daniel Goode provides the comic element of the show as the hilarious but touching Squire Trelawny.

This show is great fun and a Christmas treat for the whole family!         

11 December - 9 January
Tickets £7 - £29.50
Box office: 0871 230 1552
© Rose Theatre - Kingston 2008. 24-26 High Street, Kingston, KT1 1HL