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Winter Season at the Blue Elephant Theatre

Published by: Carolin Kopplin on 20th Oct 2017 | View all blogs by Carolin Kopplin

Blue Elephant Theatre 2017 Winter Season

"The exciting fringe outpost that is the Blue Elephant"
Graham Watts, Dance Tabs

 
The Blue Elephant continues to offer a wealth of exciting performances by emerging artists across the arts. New writing, family shows and physical theatre feature strongly in the programme, tackling topics from immigration and aging to consent and mental health.
 
Exciting theatre companies Original ImpactThe Dot Collective and Moon on a Stick return to the Blue Elephant this season and their work alone demonstrates the breadth of the programme. Original Impact are a performance collective with a strong actor-musician focus who present new work and contemporary retellings of classics. The Dot Collective creates high-quality work with and for older people, especially those with dementia. Moon on a Stick creates original shows for children, using puppetry and live music.
 
This is Blue Elephant Theatre’s first season to be announced since learning in June that it is to be added to Arts Council England’s National Portfolio Organisations from April 2018. Blue Elephant Theatre was amongst just five new theatre organisations in London to be added to the portfolio, offering the theatre more stability and greater opportunities to develop its work.
 
Theatre
The Man, The Myths, The Legends

Original Impact
19 – 20 October
 
A night of new work from men, tackling the myths, bringing you the legends.
 
Following the successes of Female Intuition and Tit for TatOriginal Impact returns to the Blue Elephant to showcase more works of new writing, this time from a male perspective.
 
Rat King by Bram Davidovich tells the story of Kelly and Jacko, whose worlds collide on the streets of East London.
 
Delicacy by Mark Jones charts the aftermath of an unusual dinner party as a family discover their neighbour is a serial killer who has fed them human flesh.

Cubicle Confessions by Darrel Draper places pressure on toilet attendant Samarge to reach out and support a stranger contemplating suicide.

In The Rental by Mark Harvey Levine, Sonya receives an extraordinary birthday present - a rented boyfriend. He's the perfect man for her - but he's only there for a day.

Croydon Ho Yo Yo Yo by David Zaman is best described by character Lizzi as “a torrid tale of sisterly deceit, a will to power, and what happens when messed up Esta and me screwed with the wrong President in the wrong time, wrong place”.

In The Red Telephone by Alasdair Melrose, a man sits alone at a table. A telephone sits in front of him. This is an antique red rotary telephone made by Siemens, engraved with an eagle, a swastika, and a name...
 
“Original Impact proves what is possible with a strong cast and some directorial creativity”
Culturised on Original Impact’s Twelfth Night

Directors: Sean Hollands, Stephen Bailey, Dan Burman, Joshua Jewkes, Kris Witham & Dinos Psychogios
Cast: Stanley Eldridge, Victoria Hitchin, Jessica Kearney, Katie Turner, Alasdair Melrose, Will Anderson, Katie Capello, Katie Spencer- Blake, Darrel Draper, Dan Burman, Georgina Bennett, Kris Witham, James Morley, Joshua Jewkes & Zac Wancke
 
Theatre
The Actualisation Show
Ephemeral Ensemble
26 – 28 October
 
Professional Optimists Harley & Pedro bring you The Actualisation Show:
We’ll forget you your troubles and believe in your dreams! Offered now at bargain prices - special rates negotiable! We’re optimistic that you won't be disappointed!
 
The Actualisation Show is the first fully realised production of Ephemeral Ensemble, an international physical theatre company founded by Ramon Ayres and Eygló Belafonte. They co-direct following Belafonte’s recent return from performing in Theatre Re’s sell-out The Nature of Forgetting at the Edinburgh Fringe. Combining the skilled physicality, playful stage craft and vibrant music, Ephemeral Ensemble strives to create original, sincere and ambitious work that is inspired by human stories.
 
The Actualisation Show was created following interviews with those affected by suicide and Ephemeral Ensemble has worked with Papyrus and LAS.

Supported by Arts Council En
 
Directors: Eygló Belafonte & Ramon Ayres
Set, Prop & Costume: Rob Evison
Music, Sound & Lyrics: Alex Paton
Collaborators for research: Professor David Mosse, PAPYRUS & L.A.S.
Cast: Ramon Ayres & Rob Evison
 
Theatre
The Dance Hall
1 – 2 November
 
Caught between the past and the presentThe Dance Hall touches on themes of immigration, loss, loneliness, family and, most importantly, (in)dependence.
 
When Annie dies far too young, Jimmy struggles with getting older and losing his independence. His family ‘try to visit’ when their lives allow, with his daughter and granddaughter supporting him as best they can.
 
An intimate story about an Irish family living in England, The Dance Hall delves into Jimmy's journey from Ireland, how he met his beloved Annie in the dance hall and the loneliness of his life without her.
 
The Dance Hall is presented as a work-in-progress production.
 
Writer: Eve Niker
 
Theatre
The Conversation
8 November
 
A performance exploring the topic of consent
 
In The ConversationLauren Burch considers the language of consent and how we talk about it. Or - how we do not talk about it.
 
Don’t worry, she’s not looking to shock you and she’s definitely not angry at you. She just wants to impress you.
 
Lauren attempts to create a safe space where you feel relaxed and invited to enjoy yourself with the help of her hosting. All of this is for you, and she won’t let you forget it. She’s pulling out all the stops on this special night. She’s setting herself high expectations, and she may fail to meet them. You may feel the urge to leave, and you are welcome to, whenever you want.
 
But oh baby, please don’t go. She just wants you to stay.
 
Writer and Performer: Lauren Burch
 
Age guidance: 15+
 
Family Theatre
Shakespearience

Debbie Hicks Productions
 10 November

"Utterly hilarious... a wildly successful all-family show"
The Stage ☆☆☆☆☆
 
Join Shakespeare's Men as they fly through the Bard's Macbeth, Romeo & Juliet and Twelfth Night in a whirlwind hour of mischievous storytelling. With tons of audience interaction, more than a dash of mayhem and a star turn from one lucky adult (shhh don't tell!), Shakespearience is the perfect treat for all the family. 
 
Theatre
How to Cope with Embarrassment

Two Pale Ladies
15 – 18 November
 
An irreverent showcase of what makes us tick, blush, cringe and silently scream
 
The Two Pale Ladies, and their new pale mate, explore what it is to be embarrassed and how it happens, in hopes of finding a way of coping with it.
 
So that we can reduce the number of times a day we wish that the ground would open up and lose us within its burning furnace.
 
So that we may sleep better, with a clearer conscience.
 
So that we may be less embarrassed.
 
How to Cope with Embarrassment is part forum theatre, live art, cabaret, wanna-be comedy and a little bit of karaoke. Deliberately adopting a disloyal frame, it stomps between genres and styles as a reaction to the fickle and capricious nature of Embarrassment, with a focus on failure and error.
 
The Tricycle
Bright South Theatre
21 – 25 November
 
What would you do for the chance of a better tomorrow?
 
 Apal and Climando have to pay for the tricycle they hired but they don´t have the money. How far will they go to survive in a world where all hope of a future is lost?
 
Three teenagers and an old man try to survive in a hostile, unintelligible and alienating world. They’re just four marginal characters looking for their place in a system which forgot them.
 
The Tricycle was the first play by renowned Spanish playwright Fernando Arrabal. Written in 1952, is a strangely light-hearted tale of poverty and murder. In this perfect example of Absurd Theatre, the writer questions the limits of freedom and the relationship between our acts and their consequences in a rotten society where children commit sinister acts to survive.
 
Bright South Theatre, under the direction of Jesús Chavero, presents the London premiere of a new adaptation of The Tricycle. This young Spanish company presents its first project in English, portraying a playful yet disturbing world and posing questions as relevant now as when The Tricycle was first written.
 
Writer: Fernando Arrabal
Translator & Director: Jesús Chavero
 
Theatre
The Invisible
30 November – 1 December
 
A storyteller stands alone on the stage, sharing a story about an invisible character.
 
She waits for airplanes to cross the sky. She wants to see the outside world. She folds paper planes. She takes a flight. She leaves home. She arrives in a foreign country. She feels invisible. She asks why.
 
What happens when East Asian culture lands at Heathrow Airport? How much do you know about the invisible? How little do you know? The Invisible is a one-woman show by Yuyu Wang, drawing on real experiences of living in a foreign country, incorporating story-telling, music and movement. It aims to explore the vulnerability, homesickness and otherness of Asian communities overseas, offering a new perspective on current contemporary discussions around immigration, alienation and home.
 
Writer and Performer: Yuyu Wang
 
Family Theatre
Little Red Riding Hood

Moon on a Stick
7 – 9 December
 
A much-loved story reinvented as a playful pantomime
 
Moon on a Stick combine enchanting puppetry and imaginative storytelling with traditional pantomime elements to create a fun and engaging show designed especially for tiny audience members.
 
Featuring live music, dance and audience interaction, Little Red Riding Hoodwill have everyone singing and laughing along but most importantly helping Little Red on her big adventure through the forest.
 
Packed full of silliness, a sassy heroine and sparkles, this is the perfect introduction to panto for children aged 3+ and their families.
 
Both performances on Saturday 9 December will be relaxed performances.

Supported by Arts Council England, Apples & Pears Foundation and the Wakefield & Tetley Foundation
 
Theatre
Once Upon a Christmas Song
The Dot Collective
13 December
 
Framed around popular Christmas themes, familiar music and memories, Once Upon a Christmas Song is an alternative Christmas show, guaranteed nonetheless to make you feel festive.
 
Once Upon a Christmas Song is new play by Alexander Moschos, written following The Dot Collective’s storytelling workshops with people living with dementia which were held at dementia friendly cafes, day care centres and activity groups for the elderly.
 
Characters, places and poetry were created. Memories, music and thoughts were shared between the service users and the artistic team. These one-hour workshops revealed many magical stories springing from the dynamic minds of the clients, regardless of age, disability or dementia. Moschos has responded to the memories and ideas around Christmas shared to write Once Upon a Christmas Song.
 
This play is truly a collaboration between the many minds met during the workshops and the playwright.
 
Writer: Alexander Moschos
 
Listings Information:
Venue: Blue Elephant Theatre, 59a Bethwin Rd, Camberwell, SE5 0XT (entrance on Thompson Ave)
Nearest tube: Oval (Northern Line)
Wheelchair accessible
Box Office: 020 7701 0100

www.blueelephanttheatre.co.uk
info@blueelephanttheatre.co.uk
Twitter: @BETCamberwell

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