The Entertainer at Manchester Royal Exchange

The Entertainer is John Osborne’s famous depiction of post-war Britain in crisis, shown through the microcosm of a family of music hall performers eking out a meagre living in a dying industry.
The Rice family’s domestic circumstances have drifted downhill in line with the decline of the halls, but no matter how urgent the threat from their creditors or the tax-man there is always enough money for gin and cigarettes.
The play is over fifty years old but the sense of national decline, the looming presence of a war abroad, and the binge drinking all strike a contemporary note. However the most obvious reason to revive this play is the spectacular role of Archie Rice, originally played by Laurence Olivier in a performance said to have reignited his career.
Archie Rice is Falstaff cut from utility suit cloth, a huge personality with a voracious appetite for women, alcohol and life. Despite the frequently cited private education and boater-and-blazer costume he is Not Quite a Gentleman, though his bluff and bravado carry him along. Even in the privacy of his own home he continues to give a performance, but while Archie’s on-stage persona is superficially warm and charming there is a sense of menace lying below the surface. Keith Floyd would have made a great Archie Rice.
The Entertainer is set in the living area of the family’s shabby rented rooms in some god-forsaken provincial town, but with a sudden switch of lighting Archie is on stage and performing his old-fashioned comedy turn and uninspired song-and-dance routine. To an audience accustomed to a diet of drawing-room dramas à la Terrence Rattigan this technique must have seemed daring and innovative. Today these interludes merge almost unobtrusively into the whole, which is perhaps why sound designer Steve Brown creates a feeling of dislocation by miking up Archie so his voice eerily seems to come from a distant place.
David Schofield as Archie has totally mastered playing in-the-round, and in the music hall interludes he involves the whole audience with his cheeky appeals and frequent asides. Laura Rees as his disillusioned daughter Jean shows flashes of real passion when her mid-century angst mixes with large quantities of gin, and Roberta Taylor playing Archie’s long-suffering wife creates genuine pathos with her terrified vision of a comfortless old age.
Although superficially in tune with our times The Entertainer is emotionally unengaging and the characters are all shot through with John Osborne’s very special brand of bile. However there is clearly some entertainment value to be had from the seedy life of a down-at-heel 1950s comedian, as Hancock’s Half Hour proves every Wednesday on Radio 7.
The Entertainer is on until Saturday 5 December 2009
Prices: £8.50-£29.50
Evenings: Mon-Sat @ 7.30
Matinees: Wed & Sat @ 2.30
Box Office: 0161 833 9833



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