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Princess - The Good Girls Gone Bad at LOST Theatre

Published by: Carolin Kopplin on 20th Nov 2016 | View all blogs by Carolin Kopplin

download.jpegJennie Dickie and Morgan Scott

Critically acclaimed writer/director Stuart Saint presented his variation on the "Princess" theme in a unique interdisciplinary dance performance, fusing video projections with live performance, at LOST Theatre, one of the more hidden venues near Vauxhall station. 

Saint's gig theatre features an electro-pop soundtrack inspired by Soft Cell and Depeche Mode and an impressive choreography. Structuring the show like a series of quests in a videogame, Stuart Saint provides a spirit guide in the form of a Rabbit (Morgan Scott) to a little girl (Jennie Dickie) who dreams of becoming a princess. But princesses are not the way they are portrayed in Disney movies any more. A coming-of-age tale as well as a quest to become a Princess, Princess shows how the Girl discovers a world of wonders as well as cruelty.

The bare stage is lined with old TV sets with a little white rabbit placed in the centre. The Girl comes on wearing dungarees and carrying her soft toy rabbit. As she is entering the fairy tale world, her toy eventually turns into a man wearing a rabbit mask. The princesses have a definitive Goth look with dark eyes and dark lips, dismissing the Girl as obviously not being one of their equals. But this is only the beginning of the Girl's adventure.

Princess (c) Aidan Orange Photography (2).jpg

Stuart Saint takes his audience into a mysterious world of princes, princesses and fairies but the princes are not always charming and the princesses can be tough and rather unpleasant. The Girl has her Rabbit guide to cling to but if she wants to become a Princess, she might have to leave him behind.

The most important element in this production is not the acting, it is the choreography performed by very skilful dancers. Some of the acrobatic stunts, especially by Morgan Scott and Onyemachi Ejimofor, are breathtaking. Stuart Saint creates some memorable images such as Ejimofor's Granola, an evil presence in a black cape, and a gigantic ballooning dress worn by the Girl as the rest of the company moves underneath.

The narrative seems open to many interpretations, which is actually a very welcome aspect of this production. Stuart Saint is certainly a name to remember. I am looking forward to his next work.

By Carolin Kopplin 

The run has now ended.

Running time: 65 minutes without an inteval

Further info on LOST Theatre: http://losttheatre.co.uk/

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