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MOMENTS & EMPTY BEDS Julia Cranney/Kate Treadell

Published by: Elaine Pinkus on 2nd Feb 2018 | View all blogs by Elaine Pinkus

MOMENTS and EMPTY BEDS: Hope Theatre, Islington

Following its successful run in Edinburgh, (Double award-winning  - SCOTTISH DAILY MAIL AWARD 2016, EDDIES AWARD 2016 for Empty Beds) Pennyworth Productions has brought its double bill  Moments and Empty Beds to London’s Hope Theatre for a three week run, ending 17 February 2018.  Written by Julia Cranney and directed by Kate Treadell, both pieces are poignant and  provoke thoughtful reaction  from the  audience as they address issues of connectivity, mental health and the turmoil of solitude and isolation in the disconnect of modern life. Moments of seriousness  are broken by sardonic humour but the sadness remains in the hopelessness of the different situations.

Pennyworth Productions was founded in 2016. Their work’s intention is to raise questions about today’s world that we often circumvent as they may be uncomfortable in their acknowledgement. Through the medium of these two plays they have achieved their objective. The excellent performances and heartfelt delivery of the cast have steered the principle of this group to the deserved outcome.

The Hope Theatre is a small studio space above the popular Hope & Anchor pub in Islington. It seats approximately 50 and offers intimacy and proximity to the actors. Staging for this production was minimal with two large chests, housing a variety of props, which served as beds, buses and train seats. The productions relied on the skills of the actors who conveyed their roles with commitment, credibility and sincerity.

Moments features two strangers, Daniel and Ava. On first meeting them, we wonder what is their connection after all he is 56 and she is 25. What can they have in common? Ultimately it is their loneliness and mundane daily routine that brings them together. Ava believed she could start a new and exciting life in London but is desperate in her loneliness. Daniel has had a life changing experience and is rejected by his daughter. His sadness is evident in his solitude. Through the intriguing direction by Kate Treadwell, we are served a commentary through the dialogue which adds weight to their situations.

Daniel

Simon Mattacks as Daniel in Moments: photograph Nick Reed

In Empty Beds we meet the Wyld sisters. Despite being connected through their birth, they tend to avoid each other. Whilst on a train en route to visit their brother for his birthday they have agreed to show a united front. However, despite their agreement, 250 miles offers opportunity to vent their true feelings. This is strong acting which is emotionally charged. Like the swaying of the train as it journeys on its rails, we jostle from laughter to sadness, from empathy to anger and as such are transfixed to the unfolding relationships.

The Wyld Sisters

Julia Cranney, Debbie Brannan and Carys Wright: Empty Beds: photo Nick Reed

On a personal level, I was more invested in Moments.  Julia Cranney as Ava and Simon Mattacks as Daniel performed in harmony with a lyrical element. Perhaps the denouement disappointed but for the main part of the hour, it was spellbinding.

Watching Empty Beds was more objective and I felt slightly detached, less involved but intrigued all the same. This was an interesting insight into sibling rivalry. Moments of silence, elements of anger, attempts at laughter. Perhaps this was rather ponderous at times and some of the humour somewhat unnecessary in an otherwise interesting piece.

A thought provoking evening with excellent performances.

Photographs: Nick Reed

Running Time: 2 hours including a 15 minute interval

MOMENTS & EMPTY BEDS JULIA CRANNEY

The Hope Theatre 207 Upper Street London N1 1RL

30 Jan - 17 Feb 2018 Tuesday - Saturday7.45pmTickets £15 & £12 concs

Box Office: 0333 666 3366 www.thehopetheatre.com

Social Media Details

www.pennyworthproductions.co.uk

Twitter: @PennyworthProd Facebook: Pennyworth Productions

 

Twitter: @TheHopeTheatre Facebook: /thehopetheatre 

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