Share |

La Cage aux Folles - Milton Keynes Theatre

Published by: Louise Winter on 11th Aug 2017 | View all blogs by Louise Winter

Reviewed 8th August

Les Cagelles

image Pamela Raith

Opening with a WOW performance by Les Cagelles of ‘We are What We Are’ the scene is set for a visually exciting evening. The troupe are wonderfully polished, beautifully made up (Richard Mawbey) in fabulous feather costumes (Gary McCann) and performing slick and stylish choreography (Bill Deamer). This highly professional, high energy start to this touring production doesn't carry through the whole show though.  

La Cage aux Folles was in many ways a groundbreaking story when it first came to the screen in 1978. Hugely successful it then arrived on stage in the early 80s. The story of a gay couple, Georges and Albin, running a drag club in sophisticated Saint Tropez oozed style, panache, and humour but above all love.  

Georges has a son from a previous relationship (Jean-Michele) and with the mother completely disinterested Albin has devoted the past twenty years to bringing him up as his own child. When Jean-Michele arrives home with the news that his fiancée Anne comes from a puritanical family who cannot possibly know that Georges and Albin are his parents, farce ensues as Georges and Jean-Michel try to keep Albin secret; Albin has other ideas!  

Albin and Jacqueline

image Pamela Raith


While the story remains in this productionthe presentation and treatment is uneven. In large this is down to the fact that John Partridge, who plays Albin, seems to be under the false impression that the show is only about Albin, and from his behaviour at the curtain call, him. Oddly, he is the weakest link in this very strong cast, lurching bizarrely between accents, volume and behaviour even well beyond the scope of his already temperamental stage drag character ZazaThe ill-fitting section of improvised comedy in which Partridge channels a cross between a poor Dame Edna and a pantomime dame is unnecessary, overlong, only vaguely funny and stops the show dead in its tracks. References to Primark and Tess Daly, the singling out of individuals in the front row for sarcasm and the crass and corny ‘jokes’ with the conductor are more suitable for a low-level talent show rather than a supposedly high class production. Why this section is included just before the key performance of ‘I am What I Am’ is a mystery and undermines the emotion and storytelling. 


Albin and Geores

image Pamela Raith


Of course all the visuals are fantastic and full credit to all the performers who are solid; Adrian Zmed as Georges, a class act from Marti Webb as Jacqueline, Dougie Carter and Alexandra Robinson are suitably fresh as the young couple Jean-Michele and Anne, Samson Ajewole as Jacob the butler/maid is a riot and won the audience's heart within seconds of being on stage. He is the scene-stealer here. A fabulous live orchestra led by Tim Whiting give the evening the feel of a real club throughout.


There are very amusing moments and there is no doubt that the audience in general thoroughly appreciated the evening. A little less ego and centre staging and a little more humility from Partridge would help balance the overall feel of the production.


At Milton Keynes Theatre until Saturday 12th August and then continuing on tour

Box Office: 0844 871 7652 (bkg fee)

Groups Hotline: 01908 547609

Access Booking: 0844 872 7677

 Online Booking: (bkg fee)



  • Cameron Lowe
    by Cameron Lowe 11 months ago
    Thanks, Louise!
  • Louise Winter
    by Louise Winter 11 months ago
    Sorry it's not a fantastically positive review. I'll always find the best in a show but I have to be honest!
Please login or sign up to post on this network.
Click here to sign up now.