Share |

Dangerous Corner at the Theatre Royal Windsor

Published by: Clare Brotherwood on 4th Sep 2014 | View all blogs by Clare Brotherwood

A shot in the dark, followed by a scream, and the stage is set for the first of J B Priestley’s many plays.

Dangerous Corner

But the content is in stark contrast to the rich, warm tones of the Art Deco drawing room of the country house in which the play is set. For beneath the 1930s respectability of wealthy couple Robert and Freda Caplan, their friends and colleagues, lurks the darkest of secrets which are disclosed as the evening unfolds.

J B Priestley himself described the play as ‘pretty thin stuff when all is said and done’, but if it were a book it would be a real page-turner, and in the hands of director Michael Attenborough and his sterling cast it has its audience in suspense right up to the very last line as devastating revelation after devastating revelation is exposed.

Some, such as affairs and homosexuality, probably wouldn’t turn a hair in today’s society, but in the mannered world of the 1930s, beautifully recreated by set and costume designer Gary McCann and lighting designer Tim Mitchell, what unfolds appears to be somewhat shocking when the stiff upper lip collapses - with tragic consequences.

As Robert Caplan, Colin Buchanan (remember Dalziel’s Pascoe?) is the perfect host for most of the evening but shows his passionate side in the closing scenes with a powerful explosion of emotions. Robert’s wife, however, shows her feelings more easily from the very beginning and Finty Williams portrays her as both fearful and feisty with a presence she has obviously inherited from her mother, Dame Judi Dench, who was in the audience.

Though Kim Thomson’s Olwen is gentle and almost wan, her presence is just as striking, as is Lauren Drummond’s Betty, for completely different reasons - a playful, shrieking child well suited to her gauche, lumbering husband (Matt Milne).

Though the most contained of all the characters, it is Charles Stanton’s lack of emotion which makes him the most menacing and Michael Praed’s performance is memorable for its steely coldness.

All in all, a class act to be savoured.

Dangerous Corner is at the Theatre Royal Windsor until September 13 and then tours:

Sept 15-20: Clwyd Theatr, Mold

Sept 29-Oct 4: Richmond Theatre

Oct 6-11: Devonshire Park Theatre, Eastbourne

Oct 13-18: Yvonne Arnaud Theatre, Guildford

Oct 27-Nov 1: Theatre Royal Glasgow

Nov 3-8: Birmingham Repertory Theatre

Nov 10-15: Malvern Theatre

Nov 17-22: Regent Theatre, Stoke-on-Trent

Nov 24-29: New Victoria Theatre, Woking

www.theatreroyalwindsor.co.uk

www.kenwright.com

Comments

2 Comments

  • Cameron Lowe
    by Cameron Lowe 3 years ago
    Thanks, Clare. This sounds like a great evening of twists and turns!
  • Carolin Kopplin
    by Carolin Kopplin 3 years ago
    I can't wait to review this production in Richmond. Sounds intriguing.
Please login or sign up to post on this network.
Click here to sign up now.