What a superb production this is! It makes murder, corruption, adultery and cheating look positively attractive!

Since its New York revival in 1996 Chicago has become the longest-running musical to play in the West End: a sure sign of its popularity. As a result there have been a number of touring productions, both good and not so good.
I suggest this particular cast makes this production one of the best of recent times. It must consist of some of the best looking actors currently on stage in the UK. Sure, the girls in this show have always been fabulous, long-legged, strong, sassy and sexy, but the boys this time – good heavens – they are clearly in the gym when not on stage – all abs, pecs and biceps, not to mention the lower halves! They certainly earned plenty of wolf-whistles of appreciation from the audience throughout the evening. Every member of the Company give their all throughout the evening and are completely convincing in their characterisations.

The choreography is sharp and tight (the original re-created by Gary Chryst) and the musical interpretation by Garth Hall exhilarating and performed impeccably and with great verve by the 10 piece orchestra, who are centre stage throughout and incidentally got the longest and loudest round of applause.

The billing has Marti Pellow as the main attraction. He has carved out a theatre career of late and his voice and stage presence are well suited to the part of Billy Flynn.



Whilst he is excellent, and taking nothing away from him, the outstanding performances are really from Emma Barton (ex-Eastender Honey) as Roxie Hart and Twinnie-Lee Moore as Velma Kelly.

Barton is a revelation but shouldn’t be. Looking at her experience she has plenty of theatre under her belt and was completely at home singing – what a gorgeous rich, full voice - and dancing. She is utterly hilarious as the conniving, flirtatious Roxie. Perfect!

Moore is one to watch. She does not have a great deal of experience being only 22 but you would never know this from her extraordinary performance. She is captivating, self assured and doubtlessly talented. I couldn’t take my eyes off her when she was on stage and her opening number ‘All That Jazz’ introduces her in fitting style. She is stylish and sophisticated, has superb comic timing and the stage presence of a real star. Someone to keep an eye on I have no doubt.

Matron (Wendy-Lee Purdy) it is fair to say suffers from comparison to Queen Latifah’s performance in the 2002 Rob Marshall film. It’s unfortunate but inevitable.

Amos (Adam Stafford), Roxie’s rather straight and trusting husband, was a clear favourite with the audience, particularly after Stafford’s superbly sensitive and touching performance of ‘Mister Cellophane’.

This is a sexy, strong, superb production of Chicago and very well worth booking tickets for. If you have always fancied it and never got round to it this production is the one to see.

Chicago plays MK Theatre Monday 25 –Saturday 30 January. MK box office 0844 871 7652 (Booking Fee)

Then on tour

February 1 – 6, Charter Theatre, Preston

February 8 – 13, Theatre Royal, Newcastle

February 16 – 27, The Mayflower, Southampton

Louise Winter on behalf or Catherine Brian