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Sep 9th

Comedy Club @ The Second Space, Waterside Theatre, Aylesbury

By Yvonne Delahaye
Many years ago I was touring in a play when we spent 5 weeks at The Grand Theatre in Blackpool.  A new bowling alley was opening and all the casts from shows around the town competed against one another.  Somehow I ended up in the team with The Crankies, Jiminy Cricket and Frank Carson!  None of us were very good, but Frank took it very seriously and offered advice on how to bowl.  Despite his best efforts to coach us we came last, but what I remember most is that even when he was trying to be serious, Frank was still very funny!  He was a naturally funny man and his catchphrase ‘It’s the way I tell ‘em’ will last forever I’m sure.

To be a great comedian you have to be naturally funny, know how to handle an audience and have exceptionally funny writing skills.  Peter Kay is a classic example of a contemporary comedian who has all those qualities in abundance.  His brilliantly funny TV series Phoenix Nights proved what a great writer he is, as well as being an intelligent and witty man.

Sadly, the acts I saw on Friday at The Second Space, Waterside Theatre have an awfully long way to go to be classed as great comedians.  The compere for the night was Fin Taylor, who immediately alienated the audience by complaining that the theatre was like a lecture theatre, had a bad smell and the audience were too far away!  Duh, that just means you’ve actually got to work harder to get them on your side!  He didn’t have an act of his own, but relied on picking out audience members and making fun of their names or professions.  Yes a lot of comedians like Al Murray and Dara O’Briain use this technique, but they have the wit to make something out of what they’re given and are naturally funny.  When we had to wait till the second act for the biggest laugh of the night to come from an audience member, then you know this really isn’t working!  Fin had been picking on a man called Eldo who was from Italy and eventually asked him what his surname was and one clever guy in the audience said ‘Rado’...get it ‘Eldo..rado’.  Funny, but surely this should have come straight from the mouth of the compere?

Next up was Pat Cahill, described as having an ‘unpretentiously surreal and absurd outlook’....hmmmm.  The funniest thing for me was that he used a coathanger to make his hand held mic into a hands-free one!  Maybe a song about a dog with a tumour is funny to some people, but I’m afraid it left me stone cold.  After a couple of minutes I kept looking at my watch willing the time away.  He rambled incessantly for half an hour about ‘things inside other things’, but it all led nowhere and again I felt that his material really did need a lot of work.

The second act faired slightly better when Adam Bloom came on, as at least he had a lot of energy and put himself into the audience to try and make a connection.  He had some good one-liners and some good material, so the evening was redeemed a little.  However, when he resorted to making fun of the Paralympics and women with some very non-PC jokes it all fell flat again.  Of the three acts, he certainly was the one who managed to entertain the audience for at least some of the time and was at least more naturally funny. 

The three acts really need to work on their material, watch some comedy greats like Morecombe & Wise and The Two Ronnies and find out what really makes people laugh.  I felt all of them had just a few minutes of material, but padded it out to try and make half an hour and it really didn’t work.  I know it’s the hardest thing in showbiz to do stand-up and try to make people laugh, but if you’re not naturally a funny person with a clever wit, then you really do have to work, work and work at it to perfect your act.  In the meantime, as they say, don’t give up the day jobs!

The next Comedy Club at the Second Space, Waterside Theatre is on Friday 12th October at 8.00 p.m. with Ryan McDonnell, Ian D Montford & John Gordillo.  Tickets cost £10 and can be booked on:
Box Office: 0844 871 7614

Reviewed by:
Yvonne Delahaye
Sep 7th

The Curious Incident of the Dog in the Night-Time - Live Screen @ The Second Space, Waterside Theatre, Aylesbury

By Yvonne Delahaye
As always you know that when you see a National Theatre production you will see something extraordinary and this show is no exception.  The Second Space at the Waterside Theatre was packed to capacity to see the live screening of this sell-out show.

The play is based on the novel by Mark Haddon, adapted by Simon Stephens.  Christopher, fifteen years old, stands beside Mrs Shears’ dead dog. It has been speared with a garden fork, it is seven minutes after midnight and Christopher is under suspicion. He records each fact in the book he is writing to solve the mystery of who murdered Wellington.
He has an extraordinary brain, exceptional at maths while ill-equipped to interpret everyday life. He has never ventured alone beyond the end of his road, he detests being touched and he distrusts strangers. But his detective work, forbidden by his father, takes him on a frightening journey that upturns his world.

Not having read the book, I was unsure of what I might make of this tale about a dead dog.  However, this play is about a boy suffering from Autism and the effects this has on the lives of those around him.  Naturally we draw comparisons with the film Rain Man, but this play has much more depth and gives us a much greater insight into the workings of Christopher’s mind.  Luke Treadaway is astonishing as Christopher and at no time do you see someone 'acting' – he really IS Christopher.  Much as I like Dustin Hoffmann, I always felt that he was ‘acting’ the part of Raymond in Rain Man and not actually ‘being’ him.  I know that this will be the start of an exceptional career for Luke as his talents will be seen around the world from these NT live sceenings.

Paul Ritter gives a gritty performance as Christopher’s troubled father, who would do anything for the son he loves, but can’t cope when his relationships fail.  Niamh Cusack plays Siobhan, the teacher who encourages Christopher to excel in his maths, and narrates most of the story.  Nicola Walker shows us the emotional trauma that she went through as Christopher’s  mother Judy and the pain she felt at leaving him.

This production is very dynamic, physical theatre and requires the actors to be fit and flexible, as the moves are finely choreographed. Una Stubbs was perfect as the caring neighbour Mrs Alexander and shows us that even at 75 she’s still very agile and nimble, throwing herself around the stage with gusto.

The play is set in the round with a simple set, which very cleverly uses flashing lights and texts to convey the sense of where the action has moved to. I suspect that seeing the live screening with several different camera angles enabled us to see things that perhaps you may miss in the theatre itself.

The play is directed by Marianne Elliot and runs at the National until 27th October.

The next Live Screen event at the Second Space, Waterside Theatre is on Thursday 11th October at 6.45.  Once again this is an acclaimed National Theatre production starring Julie Walters in The Last of the Haussmans.

To book tickets for the Waterside Theatre, Aylesbury click on:
Reviewed by:
Yvonne Delahaye
Aug 26th

The English Youth Ballet's Sleeping Beauty @ The Waterside Theatre, Aylesbury

By Yvonne Delahaye

Last night I was lucky enough to be invited to witness the return of the English Youth Ballet to the Aylesbury Waterside Theatre and watch their performance of ‘Sleeping Beauty’.

The policy of the English Youth Ballet is to perform full length productions of classical ballet in the regional theatres of the UK, and to give young dancers outside London an opportunity to perform within a professional setting. This performance featured an impressive cast of up to 100 young dancers, most of which live in Bucks and Herts, and it magically brought to life the well-known story of Aurora, the beautiful princess who pricks her finger and is cursed to fall asleep, along with the rest of the kingdom, until the handsome Prince awakens her with a kiss and the spell is broken.

Having grown up as a ballerina myself, I have visited the ballet many times, but to date this is the first time I have seen ‘Sleeping Beauty’. I am happy to say that I found it an enchanting production.

As the production begins, the audience watches as guests start to arrive to celebrate the birth of Princess Aurora. Straight away the production is given an immense feeling of grandeur simply owing to the vast number of performers on stage. Each group enters, dressed in beautifully colourful and elaborate costumes, and take it in turns to dance to welcome the new princess. This section included one of my favourite pieces from the evening, with some of the younger members of the cast appearing as yellow birds, wearing vibrant tutus, and performing a spritely and fun dance. The children’s understanding and interpretation of the music really shone through and showed how much they were really enjoying themselves.
sb1.gifWith the production having such a young and vibrant cast, I found it appropriate that the company have changed some of the details of the story to create their own interpretation. In this production, when Aurora pricks her finger at her sixteenth birthday, instead of the arrival of fairies and woodland nymphs as in the original adaptation, she is put in a cryogenic state, taken to the Arctic, looked after by the Cryonites (ice fairies) and later discovered by a royal artic explorer.  Sewing needles are also used instead of the traditional spinning wheel. However, my favourite change was that of having the character of the evil fairy that is not invited to the birth celebrations and who then puts the spell on Aurora, this character was replaced by the wicked Aunt Carabosse, who was played expertly by somewhat surprisingly by the company’s Steven Wheeler. When she makes her first appearance she is accompanied by a crew of menacing rats, played by younger members of the cast and I found their performance, combined with their intricate rat masks and costumes both comically and dramatically captivating. Other principle roles were danced handsomely throughout the production in the form of Julianne Rice Oxley as The Good Fairy, Emma Lister as Sleeping Beauty and Lorien Slaughter as The Prince.

The music in the second half of the production was arguable the most recognisable, with much of it having been used in Walt Disney’s own 1959 adaptation of the story. The romance of the story was embodied beautifully as the cast comes back together to celebrate the forthcoming wedding of Sleeping Beauty and her prince, again wearing an array of gorgeous costumes and dancing to the piece of music which, in Disney’s version, became the timeless waltzing melody ‘Once Upon A Dream’.

Overall, I really enjoyed the evening and as a performer who would have relished the opportunity to perform in a production like this in my youth, I find it uplifting to see both the performers on stage and the young people in the audience really enjoying the genre. A magical experience and glittering new production, not to be missed.

Reviewed by:
Vicky Poole

Jul 4th

Dandy Dick @ The Theatre Royal, Brighton

By Yvonne Delahaye

What could be better on a summer’s evening than to take in a breath of sea air, have some fish and chips and go on to see a good play?  I was lucky enough to be invited to the opening night of a rarely seen English comedy by Arthur Wing Pinero entitled Dandy Dick, starring Patricia Hodge and Nicholas Le Prevost.

The first show out of the stable of the recently launched Theatre Royal Brighton Productions, a subsidiary of the Ambassador Theatre Group (ATG),  helmed by the company’s artistic director Christopher Luscombe, Dandy Dick plays at the Theatre Royal Brighton and runs until 7 July prior to an eight-week UK tour and planned West End transfer.

Dandy Dick - which, aptly, was written in Brighton in 1887 - tells the story of the Very Reverend Augustin Jedd, a pillar of Victorian respectability, who preaches regularly against the evils of horseracing and gambling. However, a visit from his tearaway sister, Georgiana, leads him to risk all at the races, much against his better judgement. Mayhem ensues, with romantic intrigue, mistaken identity and a runaway horse.

The play opens in the Morning Room at the Deanery, where the Dean’s two frivolous daughters , Sheba (Jennifer Rhodes) and Salome (Florence Andrews) arrange a tryst with their soldier paramours Mr Darbey (Charles de Bromhead) and Major Tarver (Peter Sandys-Clarke).  The girls have got into debt having costumes made – a timeless problem most women will recognise – but the arrival of their Aunt Georgina provides them with an intriguing way to resolve their problems.  Thus the scene is set for mayhem and laughter as all goes awry!

Patricia Hodge is Aunt Georgina, a very butch widow whose involvement in horse racing has created a rift with her brother, the very righteous Dean Augustin Jedd.  Patricia gives a superb performance as the masculine Georgina and it’s good to see just how versatile she is as an actress. Patricia’s career spans film (Betrayal, Behind Enemy Lines), theatre (Noises Off, Calendar Girls) and television (a BAFTA nomination for Hotel du Lac, The Falklands Play and, of course, Miranda).6868_full.png
Nicholas Le Prevost ekes out every bit of humour with some wonderful facial expressions and asides to the audience.  At times his character reminded me of Malvolio in Twelfth Night, particularly when he ends up in the police cell! Nicholas’s distinguished stage career includes many productions at the National Theatre, including My Fair Lady, for which he was nominated for an Olivier Award. More recently, he was seen in The Misanthrope with Keira Knightley.

Dandy Dick is a jolly good romp of a farce and there are laughs aplenty throughout with some brilliant performances from all the cast, notably Michael Cochrane as Sir Tristram Mardon, Bart, John Arthur as Blore and Rachel Lumberg as Hannah Topping.

Dandy Dick last had a major production in a 1987 tour, and was last revived in the West End in 1973 with Alistair Sim and Patricia Routledge. The other two play revivals planned for Theatre Royal Brighton Productions’ three-play opening season are John-Dighton’s 1948 farce The Happiest Days of Your Life (famously filmed in 1950 with Alistair Sim, Margaret Rutherford and Joyce Grenfell) and Bernard Pomerance’s 1979 play The Elephant Man (based on the true story of Joseph Merrick and filmed by David Lynch in 1980).

In the coming months, Luscombe and his associate directors Maria Aitken and Philip Franks will also be developing “new titles and other rarely seen classic titles” through a series of workshops and readings at their Brighton home for future productions.

Commenting on the Theatre Royal Brighton Productions inaugural production, ATG joint CEO Howard Panter said it was indicative of a growing trend: “There is a renaissance happening in regional theatre, and we have undoubtedly seen a shift from the centre of the theatrical landscape being London – from Sussex to Scotland and everything in between, audiences are keen to see quality plays without travelling many miles for the pleasure.”

ATG is the UK’s biggest theatre owner, with a portfolio included 27 major regional receiving houses. The group’s recent pre-London box office successes have included Zach Braff’s All New People and the National Theatre tour of One Man, Two Guvnors.

Arthur Wing Pinero was a contemporary of Shaw and Wilde and his characters are finely developed, funny and instantly recognisable.  The success of TV series Cranford, Larkrise to Candleford and Downton Abbey, shows that we all love period pieces and this comedy really doesn’t date with exceptionally funny writing and performances, it makes for a terrifically fun night out.

The play comes to The Waterside Theatre, Aylesbury on Tuesday 17th July running to Saturday 21st July.  Ticket prices from £10-£32.
 Box Office: 0844 871 7614

Tour dates are:
Tue 10th Jul -
Sat 14th Jul 
Richmond Theatre
Tue 17th Jul -
Sat 21st Jul 
Aylesbury Waterside Theatre
Tue 24th Jul -
Sat 28th Jul
Churchill Theatre
Tue 31st Jul -
Sat 4th Aug 
New Victoria Theatre
Tue 7th Aug -
Sat 11th Aug 
Theatre Royal
Tue 14th Aug -
Sat 18th Aug  
Grand Opera House
Tue 21st Aug -
Sat 25th Aug 
New Alexandra Theatre
Tue 28th Aug -
Sat 1st Sep
Opera House

Reviewed by:
Yvonne Delahaye

Jul 2nd

Against Time - Flawless & ENB @ The Waterside Theatre, Aylesbury

By Yvonne Delahaye

Out of all the great shows I’ve been able to see at The Waterside Theatre this season, Against Time was the one that I’ve been most eager to see as the UK’s national ballet company English National Ballet (ENB)and World Dance Champions Flawless come together in a collaboration fusing streetdance, acrobatics and ballet. The ten Flawless dancers and ten ENB ballerinas showcase their skills and combine their talents to create an exciting and innovative show that is, quite simply, AWESOME!

The show is set in a school where the delicate ballerinas are dwarfed by the hunky Flawless men and I initially found myself wincing when the boys were lifting the girls lest they break their fragile bodies!  The premise of the show is a fantasy journey about a professor with a magical hat who can change time and the kids who try to prevent his evil plans. 

In the initial scenes there are some ‘dance offs’ as Flawless show off their incredible street dancing talents and the girls their classical ballet skills dancing on points with extended arms.  The contrast between the two styles is beautifully enhanced when the girls practice their barre work to Swan Lake and the boys then have a go too!  It’s funny and creative and the girls then have a go at street dancing too and give the boys a run for their money!  As they merge their styles and begin to collaborate together the story takes off and leads us into a magical garden. The costumes and routines of the Fireflies, Ladybirds and Damselflies were stunning and the dancing statues were scarily lifelike and produced one of the show’s highlights as they all danced to Maroon Five’s ‘Moves Like Jagger’.  It was a fantastic routine and one I’d really love to see again and again.03.jpg

Another highlight was seeing the fabulously colourful Spanish costumes and the dances with masks to Christina Aguilera’s ‘Ain’t No Other Man’.  Then it was tango time with an incredibly powerful routine of Argentina Tango danced to the seductive tunes of ‘Roxanne’ from Moulin Rouge, sung by Ewan McGregor.

The internationally acclaimed ballet Company and the stars of the UK number-one box office smash hit movie StreetDance 3D and StreetDance 2, first joined forces in 2011 for the Peace One Day concert at the O2.  This exciting new show Against Time has been created by Flawless artistic director and lead choreographer Marlon “Swoosh” Wallen and Jenna Lee, soloist and choreographer at English National Ballet working together to  fuse the opposing poles of dance to generate a groundbreaking dance experience . 

Jenna Lee joined ENB in 2002, and has performed major roles with the Company, she has created many of English National Ballet’s more adventurous small scale dance works. In 2006 Jenna choreographed Ballet Rocks to launch Sky HD. Other notable creations include The Beautiful Game, A Football Ballet and pieces for the main stage at Bestival. Jenna is also an expert in mass-participation choreography, having worked with over 200 school children for Swanning Around, a huge dance project which was performed at the Royal Albert Hall and for World Expo in Shanghai in 2010.

Marlon ‘Swoosh’ Wallen has received awards for Flawless including Best Street Dance Group and Best Choreographed Group. Under his leadership Flawless were named ‘UK Street Dance Champions’, ‘International Dance Champions’ and then crowned ‘World Dance Champions’ after taking on over 50 nations from around the
world in Germany. They were also the first and only group ever to get full marks from all the world judges in street dance history!

Last year Flawless completed a 110 date tour of their own award winning show Chase The Dream which also ran in the West End and attracted critical acclaim. Their inspirational and exciting choreography has helped to make street-dance more appealing to a mass audience. Flawless were finalists in Britain’s Got Talent in 2009, where Simon Cowell said they were “one of the best things I have ever seen in my life”

Wayne Eagling, Artistic Director of English National Ballet said “Collaborations like this are vital for English National Ballet to keep the Company fresh and modern and for dancer development. It’s a fantastic opportunity for Jenna to showcase her skills which have been nurtured by the Company and to see a whole new audience introduced to the world of ballet.”

This show is imaginative, exciting and creative and is truly the best dance show I’ve ever seen  Every move is perfectly timed and executed sometimes at great speed and left me awestruck at the incredible skill and talent of all the cast.   The music is a great mix of contemporary and classical and really takes dance to a whole new level, with its fusion of styles. Any lover of dance and theatre will not want to miss this amazing show.

The next date available is:
Fri 06 - Sun 08
Jul 2012
Palace Theatre Manchester

To book tickets go to:

Reviewed by:
Yvonne Delahaye

Jun 30th

Roy Orbison and Friends @ The Waterside Theatre, Aylesbury

By Yvonne Delahaye
Whenever I hear of a Roy Orbison tribute I can’t help but think of that hysterically funny episode of Only Fools and Horses.  In case anyone has never seen it (catch it on YouTube) Del Boy organises the cabaret for the local hoodlum.  His girlfriend Raquel  ends up singing with a Roy Orbison tribute and all goes well until he sings ‘Crying’ when they discover that he can’t pronounce his ‘Rs’.  It’s a classic episode and I’m sure I’m not the only one who now smirks whenever I hear that song?

Barry Steele has been performing as Roy Orbison for 10 years and is the top Roy tribute act in the business. He sounds just like him and has toured all over the UK, New Zealand and Europe.  This Roy Orbison and Friends show is produced by his wife Lynne and has been touring since 2009.

Taking centre stage, Roy stands and sings some of his most popular hits starting with Only the Lonely, Up Town, Love Hurts and Walk-on.  Barry stands quite stiffly and barely moves, but somehow you get drawn into the song lyrics and the wonderful timbre of his voice.

The first ‘friend’ to be introduced was the Johnny Cash tribute, performed by Peter John Jackson.  Peter gave an energetic performance of Down the Line, Orange Blossom Special and I Got Stripes.  Personally, I don’t enjoy country music nor Johnny Cash’s voice or songs and found it a bit out of place in a rock and pop show, but the audience seemed to enjoy it.

Next up was the Elvis tribute Paul Malloy singing That’s All Right, Blue Suede Shows, Teddy Bear and Don’t be Cruel.  Paul has a great voice and sounds like Elvis, but doesn’t quite have the hip wiggles or charisma to carry it off completely.

‘Roy’ returns with another selection of great hits Running Scared, Blue Bayou, It’s Over and then showed a clip of newspaper cuttings headlining the tragic death of Roy’s first wife, Claudette.  She was killed in a motorcycle accident in 1966 aged just 25 and when he then sang It’s too soon to Know I confess I had tears in my eyes!  Finishing off the first act (minus the fake tan and chest wig) Barry sang the version of Crying that Roy recorded with KD Lang.

After the interval came Claudette and, from the film Blue Velvet, In Dreams followed by Sweet Dreams and a song by The Platters, The Great Pretender.
Barry’s very talented band of musicians were then given some performance time, as they gave a terrific performance of The Shadows' Apache, with Carl Windsor on lead guitar.  Barney Williams was amazing as Jerry Lee Lewis on vocals and keys for Great Balls of Fire and Whole Lotta Shaking and I’d have loved to have seen some more of him.

Pete returned as Johnny singing God’s Gonna Cut You Down, Boy Named Sue, Sunday Morning Comin’ Down and Ring of Fire.    Then Elvis was back in the building in a GI uniform to sing GI Blues, Stuck on You and, his most popular song, It’s Now or Never.

The final set from Barry included Down the Line and Penny Arcade before covering some of the Travelling Wilburys' songs firstly End of the Line and with Steve Hill on vocals, Handle with CareYou Got It was used in a TV ad campaign in 2003 and the last song, Drove All Night was recorded by Roy in 1987, but not released until 1992, several years after Roy’s untimely death at just 52 in 1988.

There could only be one song to play for the encore and to get the audience on its feet singing along and it had to be Pretty Woman!  The song of course is now linked to the 1990 film of the same title starring Richard Gere and Julia Roberts.

The artists were a bit before my era, but it’s a very good night’s entertainment and a lot of the songs appear in films and TV ads, so are quite familiar.  The show does run nearly 3 hours though and I actually feel that the show would have been complete without the addition of the ‘friends’ Johnny Cash and Elvis.  The band are all so accomplished that it would have been good to have a few more tracks just featuring them.  They are Carl Windsor on lead and acoustic guitar, Barney Williams on keyboards and vocals, Richard Young on drums, Alan Whittam on base and Steve Hill on lead guitar and vocals.

The tour continues to

Sat 30th Jun
  Gladstone Theatre
Port Sunlight
Fri 6th Jul
 Exmouth Pavilion
Sat 7th Jul
  Brewhouse Theatre
Thu 12th Jul
  Palace Theatre
Fri 13th Jul
 Leas Cliff Hall
Sat 14th Jul
  Kings Hall
Herne Bay
Sat 11th Aug
Southport Theatre & Floral Hall Complex
Fri 17th Aug
  Pavilion Theatre
Sat 18th Aug
  Buy Now
Princess Theatre
Sun 19th Aug
  Buy Now
Princess Pavilion
Fri 24th Aug
  Shanklin Theatre
Mon 27th Aug
  Pavilion Theatre & Cromer Pier
And for further dates visit

To book tickets for the Waterside Theatre, Aylesbury click on:

Reviewed by:
Yvonne Delahaye
Jun 25th

The Bolshoi Ballet Raymonda - Live Screening @ The Second Space, Waterside Theatre, Aylesbury

By Yvonne Delahaye
If you’re an avid ballet fan, I’d imagine that seeing the Bolshoi Ballet performing live in Moscow would be a lifetime ambition?  Thankfully you no longer need to travel to Russia to achieve this, as owing to the marvels of technology you can now see a live ballet in a theatre near you!

Raymonda is a full-length ballet in three acts, created in 1898 at the Marlinsky Theatre by Marius Petipa and Alexander Glazunov.  It became an overnight success in Russia and has previously been revived by the Bolshoi Ballet in 1984 and 2003.  Famous for its Pas de Deux, Pas de Quatre, Variations and its Grand Pas Classique Hongrois (or Raymonda Pas de Dix), the full-length ballet is only danced by a handful of companies worldwide.

Raymonda, niece of Countess Sybil de Daurice, French noblewoman, is betrothed to Jean de Brienne.  De Brienne arrives at the castle to bid farewell to Raymonda before leaving for the crusade led by the King of Hungary.  In a dream, Raymonda is reunited with her finance, but as he disappears a Saracen Knight, Abderakhman,  appears and declares his passionate love for her.  The following day the Saracen Knight appears at the palace, but is rejected by the terrified Raymonda.  His attempts to abduct her fail and Jean de Brienne returns and defeats Abderakhman.  Naturally the final act is the wedding ceremony with dancers entertaining the happy couple, but the focus is very much on the bride and groom.

Not being an expert on ballet, this was one I’d never heard of before, but it was certainly good to be able to see one of the world’s top companies performing.  The backdrops were huge and set the scenes of the lavish palace and the enchanted garden superbly.  The medieval costumes were perfectly designed with muted colours and elegant lines.  During the dream sequence, the Corps de Ballet performed some beautiful dances in exquisite midnight blue and silver costumes, which enhanced the dream-like feeling.  The vivid orange, gold and brown costumes of the Spanish costumes in the second act were also stunning.  The Arabian scene with the Moroccan-style costumes, complete with fez, and the dance with sticks, was the highlight of the show for me.

Raymonda was beautifully danced by Maria Alexandrova, with the handsome Ruslan Skvortsov dancing the role of Jean de Brienne.  For me though it was Pavel Dmitrichenko, dancing Abderakhman, who stole the show.  His energy, charisma and sheer physical skills made him memerising to watch, with his dance moves being a mixture of ballet and Cossack dance.

Libretto by Yuri Grigorovich after scenario by Lidia Pashkova
With the Orchestra of the State Academic Bolshoi Theatre of Russia
Choreography: Maestro Yuri Grigorovich
Music Director: Pavel Sorokin
Set Designer: Simon Virsaladze
Lighting Designer: Mikhail Sokolov
Assistant Choreographer: Natalia Bessmertnova

It was a very enjoyable way to spend a Sunday afternoon, though be warned that in Russia the intervals last for 25 minutes so the show runs to three hours!

Watch out for further live screenings at your local theatre.
To book tickets for the Waterside Theatre, Aylesbury click on:
Reviewed by:
Yvonne Delahaye
Jun 16th

Frankenstein Live Screening @ Second Space, The Waterside Theatre, Aylesbury

By Yvonne Delahaye

The National Theatre has always produced exceptional theatre, with top rated actors and now with the tours and live screenings, it really has become not only national, but global.  With the technical capabilities now available, people around the world are able to see screenings of plays performed live from the South Bank.  I’ve always loved going to the National, as no matter where you sit you can be guaranteed of a good view and the acoustics are outstanding, so you can also hear everything. 

I was fortunate enough to see a recording of the live screening of Frankenstein with Benedict Cumberbatch in the title role and Jonny Lee Miller playing The Creature.  These screenings have proven so popular that even though the play is no longer running, theatres have requested screenings, so the National have been able to show the recorded screenings.  What you see in the recording are views that you wouldn’t see sitting in the audience, as in shots taken from overhead and close-ups of the actors from different angles, as you would on TV or film.  However, you still get the excitement and thrill of watching live theatre and get drawn into the show as if you’re sitting in the theatre.

The story of Frankenstein was written by Mary Shelly when she was in her late teens.  It’s a classic story of someone being shunned by society because of the way they look and the lack of compassion and love they experience, leading them into taking horrific revenge.

This production, a new play by Nick Dear, gives the creature a voice and the story is told from his perspective.  Jonny Lee Miller gives an extraordinary performance from hatching out of the egg like structure with twitching physical movements as he discovers his body and how it works.  This initial scene was so touching, you could feel his pain in each move and emphathised with this strange creature.  When he meets his maker, Frankenstein, he is so horror-struck at what he has created he rejects ‘The Creature’ and abandons him to the world.

The play takes us through The Creature's journey as he is beaten and rejected by everyone, until he meets the blind man de Lacey (beautifully played by Karl Johnson) who treats him respectfully and educates him.  The Creature has an amazing mind, but after being rejected again by de Lacey’s family, sets out on a quest to wreak revenge on the uncaring master who created him.  His one desire in life was to find love where he could live in peace away from the judgements and fear of the outside world.  All he is given in the end is lies and betrayal and he learns that hatred and humiliation are intrinsic facets of human behaviour.

Jonny Lee Miller’s performance is completely mesmerising and you cannot but help to feel sympathy for him and understand why he is driven to commit such horrors. 
Benedict Cumberbatch is brilliant as the cold-hearted, pompous, self-righteous inventor who has no understanding of love and compassion.  
In the production, the two actors swap roles and I would be fascinated to see the alternate screening.  This must have helped to seal the bond between the two actors and it’s very tangible in the strength of their performances.  The actors recently jointly won the Olivier Award and deservedly so for these most physically challenging and demanding roles.

There were also a few notable comedy moments from Ella Smith as Clarice and Mark Armstrong as Rab with John Stahl as his uncle Ewan.

 During the initial days Jonny Lee Miller  was best known for his roles in the  films Trainspotting and Hackers (1995), co-starring Angelina Jolie, whom he married in 1996. They separated eighteen months later and were divorced on 9 February 1999. Miller worked steadily in film and theatre with less public notice until 2008, when he starred in two seasons of American TV series Eli Stone followed by lead roles in the Broadway play After Miss Julie and the BBC production of Emma. In 2010 he had a featured role on the Showtime series Dexter as the fifth season's chief antagonist Jordan Chase. Miller played Roger Collins in Tim Burton's film Dark Shadows, which opened 11 May 2012.

Benedict  Cumberbatch's most acclaimed roles include Stephen Hawking in the BBC drama Hawking (2004); William Pitt in the historical film Amazing Grace (2006); the protagonist Stephen Ezard in the miniseries thriller The Last Enemy (2008); Paul Marshall in Atonement (2007); Bernard in Small Island (2009); Sherlock Holmes in the modern BBC adaptation series Sherlock (2010-2012); and Peter Guillam in the spy thriller Tinker Tailor Soldier Spy (2011). In late 2011, he played Major Stewart in Steven Spielberg's BAFTA and Academy Award nominated War Horse (2011).
The play is directed by Oscar winning (Slumdog Millionaire) Director Danny Boyle. He is best known for his work on films such as Slumdog Millionaire, Shallow Grave, 127 Hours, 28 Days Later, Sunshine and Trainspotting. Boyle was presented with the Extraordinary Contribution to Filmmaking Award at the 2008 Austin Film Festival, where he also introduced that year's AFF Audience Award Winner Slumdog Millionaire. On 17 June 2010, it was announced that he will be the Artistic Director for the 2012 Olympic games opening ceremony

The second screening of Frankenstein with Jonny Lee Miller playing Frankenstein and benedict Cumberbatch playing The Creature, is on Thursday 19th July at the Second Space, Waterside Theatre. 

To book tickets click on:

Reviewed by:
Yvonne Delahaye

Jun 14th

Russell Grant to star in Peter Pan @ The Waterside Theatre, Aylesbury 8th-30th December 2012

By Yvonne Delahaye

Russsell Grant Studio Shot.jpg

We predict Aylesbury can look forward to a fantastic panto this year as the Waterside Theatre announces  everyone’s favourite cannon- popping  ‘Strictly’ star Russell Grant is to appear in Peter Pan this Christmas 08 – 30 Dec.    A cast of world class performers will join the national treasure in an all-singing all-dancing, swashbuckling adventure that will get you well and truly hooked.

Russell Grant has enjoyed a very successful career in theatre, TV and film. Russell’s many theatre performances include Ivor Novello’s  King’s Rhapsody, The King and I, Tom Brown’s Schooldays, Camille, Hans Andersen, Me And My Gal, The Rocky Horror Show and Under Milk Wood to name but a few.  On TV he appeared in comedy classics such as On The Buses, Please Sir!, The Fenn Street Gang, Doctor in the House and straight drama The Canterbury Tales and Roads to Freedom, and in the ‘80s he was one of the first ever breakfast TV presenters for the BBC before joining This Morning and winning a BAFTA.  Recently Russell returned to live performance in the award-winning Probably Wanstead and Soap at Alan Ayckbourne’s Stephen Joseph Theatre  to rave reviews, and for Royal Wedding of Prince William and Catherine directed and played Puck in A Midsummer Night’s Dream.

 He is also Senior Creative Director at his own Academy for Showbusiness at Coleg Harlech.  Russell’s no stranger to panto last year guest-starring in Aladdin.  Russell hit our TV screens again last year in what he describes as a professional dream come true: learning how to dance on the BBC’s Strictly Come Dancing with world-champion Latin dancer, Flavia Cacace and has just completed a season starring in London’s West End as the Wizard in Andrew Lloyd Webber’s The Wizard of Oz at the London Palladium.

Russell says “I love panto.  And I can’t wait to get back on stage this Christmas at the Waterside.  Peter Pan is a fantastic and magical story for all of the family and I know you are going to really enjoy it.  We are sure to have an absolute blast... but maybe I’ll leave the cannon at home this time, you’ll just have come along to find out!  I can’t wait to see you there”

Brewer, HollyIMG_5598.JPG

The lovable Russell will be flying onto the stage as Roger the Cabin Boy with upcoming local singer and actress Holly Brewer. Holly hails from Buckinghamshire. 2years ago she won a part in Milton Keynes Pantomime Cinderella following tough competition in a talent contest and  is very excited to be working again with First Family Entertainment  playing the role of Wendy. Although just 17 years old, Holly has also worked as a soloist alongside the West End cast of The Rat Pack , That’s Amore, The Swings Dudes and Diva show and a 15 piece live Big Band. Over the last 12 months she’s been involved in a number of live performances including Charity Events for Sky TV, Jury’s Inn, The MK Dons, Best of Bucks and The Great Room at The Grosvenor House Hotel, London .  Holly was recently selected to work for Sennheiser as a session vocalist and is now writing and developing her own material. 

Get ready to fly away on a spectacular journey of wonder and excitement into the magical world of Neverland. Join Peter, Wendy and the Lost Boys in their thrilling adventure to save Tinkerbell from the villainous Captain Hook and his crew of dastardly pirates. With stunning special effects , amazing flying,, sumptuous costumes, superb sets and a good helping of fairydust, Peter Pan will be the perfect treat for the whole family!

Performances:   Sat 8 – Sun 30 Dec 2012
(Times vary. Contact the Box Office or visit the website for further details)
Tickets:   £10 - £26  
Box Office:   0844 871 7607 (bkg fee)
Groups Hotline:  0844 871 7614
Access Booking: 0844 871 7677 (bkg fee)

Tickets can be booked
for the Waterside Theatre, Aylesbury at:

Jun 13th

Girls Night @ The Waterside Theatre,Aylesbury

By Yvonne Delahaye
The Clue’s in the title, ‘Girls Night’, and you get exactly what it says on the tin. If you are a woman, want a laugh and a good night out this could be exactly the show you are looking for. I shall put my man cards on the table and tell you I am neither girl nor woman and was probably one of only a dozen men in the packed theatre.

We join four girls, Anita, Liz and sisters Carol and Kate on a girls night out. We learn about their lifelong friendship from a fifth friend Sharon who is now an immortal angel since falling off a moped and dying. The story they tell is punctuated with a series of classic and instantly recognisable songs. The angelic narrator introduces a series of flashbacks from school years and early adulthood revealing a series of romantic adventures, pregnancies, betrayals and insecurities. 

The girls get drunk together gossiping and laughing about the failings of husbands and all things sexual drawing a lot of empathetic recognition from the audience. Each scene segues into an appropriate song.  Rebecca Wheatley (Anita) has some nice moments of physical comedy and shows a good strong voice when she sings, ‘The Love of My Man’. Kerry Enright, whose character Liza spends the show agonising over her possible pregnancy, gives a nice vocal performance in ‘It’s Raining Men’ which closes the first act.

The show has an interesting dynamic with its fictional sisters being played by the Taylforth sisters. The more famous sister, Gillian perhaps has the least demanding role in the show while for me Kim is the star of the show. She maintains the most believable performance and gives an excellent account of her solo numbers from her dorky performance of a karaoke song to a powerful vocal rendition of ‘Cry Me a River whilst hobbling around the stage in a most absurd state which I shall not spoil by revealing its details. During the interval I learned an interesting piece of trivia about Kim. By coincidence I had been sitting next to a woman who had served in the police force alongside her, talk about contrasting careers.

Considering the deliberately superficial nature of the script I thought the writer Louise Roche made a surprising artistic decision in the final scene of the show that left me not liking narrator Sharon’s character very much, totally overturning my expectation of a nice comfortable conclusion.

Girls Night is not trying to be worthy or deep and should not be judged as such. For me it is a part of a new genre, a kind of a modern female version of the working men’s club cabaret circuit but without the vitriol. To quote Kate, ‘I just need to have a bit of fun’, I think that sums up the show.

Future Dates
18 June - Princess Theatre, Torquay
25 June - City Varieties, Leeds

To book tickets for the Waterside Theatre, Aylesbury click on:

Reviewed By:
Pete Benson