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Jul 16th

I Love You, You’re Perfect, Now Change at the Battersea Barge

By Clare Brotherwood

 ILYYPNCpics1 David Ribi, Chloe Taylor, Nic Kyle, Sarah Goggin Photo Piers Foley.jpg

Bobbing about on the Thames is the perfect way to spend a sunny summer’s afternoon. But on the river, between Vauxhall and Battersea, there’s a different experience on offer.

With blinds drawn, plush red velvet seats to sink into and fairy lights twinkling, the Battersea Barge, which has been offering live entertainment since 1999, is this week presenting a celebration of the mating game through a series of songs and sketches.

It’s a shame the production is only running for four nights (and some afternoons). With director Drew Baker and musical director Ben Holder at the helm, a lot of work has obviously gone into this revue which, incidentally, holds the record as the second longest running musical in Off-Broadway history with 5,003 performances.

It’s pure New York with accents to match from the English, Irish and New Zealand cast who run the gamut of emotions as they sing and act their way through relationships, from Adam and Eve through to funerals and an elderly couple who ponder, ‘Shouldn’t I Be Less In Love With You?’

On the surface, this show (the title is a little long!) is light and frothy with a lot of laughs, but in the hands of West End musical stars Chloe Taylor and David Ribi, Nic Kyle and Sarah Goggin, the subjects of first dating, shyness, egos, rejection, heartbreak, sex, marriage, parenthood and old age, make for some very well expressed and moving moments. They all point to one thing, however: You meet someone you think is perfect and then spend the rest of your life trying to change them!

I Love You, You’re Perfect, Now Change continues at the Battersea Barge until 17 July.
Jul 2nd

Murder Weapon at the Theatre Royal Windsor

By Clare Brotherwood

I rather hope the Theatre Royal Windsor has started a new trend or, rather, revived an old one.

Back in the day, actors cut their teeth on rep, with one company performing a different play each week. It was a good way for actors to hone their skills, learning a new play while performing another.

Murder Weapon

For the past month TABS Productions have been doing just that, and without any big names to draw them, the audience at this week’s opening night was healthy - and hearty. As we left the auditorium I saw one woman turn to another sitting behind her and say, ‘See you next week?’ ‘You bet!’ came the reply. There was a feeling of camaraderie, and the warmth towards the now familiar actors was palpable.

Murder Weapon, written by creator of The Avengers Brian Clemens, is indeed a worthy contender for the theatre’s Classic Thriller Season.

The ingenious plot is centred around Charley Mirren who, having already served 10 years for murder, is found with gun in hand standing over a dead body. Whodunnit? The fun is finding out!

The culprit, if you’re paying attention, is not too hard to spot. However, how the play gets to its conclusion is chock full of twists and turns which will certainly have you on the edge of your seat.

The members of TABS Productions have already proved their versatility and this play is no exception.

Karen Henson, who directed last week’s production, plays the police chief Jessica Bligh in charge of the murder investigation. Being new at the job and ex-Army, she wants to do everything by the book, but she’s not sure of herself and Henson plays her as lacking in confidence and authority.

In complete contrast, Inspector Fremont is a old hand who just wants to get things over and done with, and Michael Sherwin makes the most of his character’s cynicism; his deadpan delivery is a comic masterpiece.

Jeremy Lloyd Thomas’s portrayal of the murder suspect is another tour de force. Charley isn’t the sharpest knife in the drawer and Lloyd Thomas brings out his vulnerability and confusion, agitated and with nervous ticks.

Next week TABS Productions present Francis Durbridge’s The Gentle Hook. I’m sorry it’s their last play in Windsor.

Murder Weapon continues at the Theatre Royal Windsor until 5 July, and the Classic Thriller Season concludes with The Gentle Hook from 7-12 July.

Box office: 01753 853888
Jun 28th

Thriller Live at the Lyric Theatre

By Clare Brotherwood


Thriller Live UK tour 2013 Cleo Higgins Photo Irina Chira - 5 .jpg

Photo: Irina Chira

Every night for the last five years theatregoers have been rising to their feet to applaud the ultimate tribute to Michael Jackson that is Thriller Live.

This week was no different as the West End audience welcomed into the Thriller Live family Cleo Higgins, she of the nineties girl group Cleopatra and semi-finalist in last year’s The Voice who, having cut her teeth on a national tour of the show, burst onto the Lyric stage as if she’d been there all her life.

A cool mover as well as a superb singer, she fits right into a show which continues to amaze, with director Gary Lloyd’s stunning choreography, seamlessly performed by a company of highly motivated dancers. I would happily see this show just to see them perform, but when you’ve got Michael Jackson’s powerful hits executed with passion by the likes of Cleo Higgins, the hauntingly beautiful Ricardo Alfonso, Haydon Eshun and John Moabie, backed by John Maher and his wonderful musicians, it becomes an obsession. I know!

And as the show is forever evolving, there are new treats in store every time you see it. Take Jonathan Park’s set and Nigel Catmur’s lighting, for instance: a kaleidoscopic explosion of colourful graphics which seem to get bigger, brighter and bolder.

Highlights - and there are many - always include the young Michael Jackson, performed on this occasion by the adorable 13-year-old Kyle Johnson, which leaves the main man David Jordan as MJ. His whole persona is full-on Jackson, his moves spellbinding, sending shivers down the spine, especially his moonwalking which results in screams of delight from the audience. Thrills there are a plenty. Can you feel it? You certainly can!

Thriller Live is at the Lyric Theatre, Shaftesbury Avenue, and is now taking bookings until April 2015.

Box office: 0844 412 4661
Jun 18th

The Shadow of the Ghost at the Theatre Royal Windsor

By Clare Brotherwood

Repertory was, back in the day, the way actors learned their craft, learning their lines for the following week’s production while acting in the current one.

Nowadays, if they don’t get at least four weeks’ rehearsal they are hard done by, so I greatly admire the members of the cast of the present production at the Theatre Royal who have leapt into other roles.

Now into the second week of their five-week Classic Thriller Season, these members of the TABS Productions’ company are proving just how versatile they are by presenting a world premiere which, while it has connections with last week’s play, sees them playing completely different characters.

Last week’s opening play of the season,The Ghost Train, is a classic comedy written by Arnold Ridley, set in a haunted railway station. The Shadow of the Ghost is set in a theatre where an inept am dram society is rehearsing the said play.

Co-written by Arnold Ridley’s son, Nicholas Ridley, with Chris Ponka, it is a melting pot of suspense, spookiness and side-splitting fun, a sort of Noises Off with more than one spine-chilling twists.

Tales of a manager who hanged himself and an actor’s death on the very stage they are rehearsing, unnerve the few amateurs who have turned up for a Sunday afternoon rehearsal, and when unexplainable things begin to happen, the plot thickens.

Be sure there is a bit of everything in this play; lots of surprises, lots of laughs, more than just a touch of Agatha Christie, and some sterling performances from, among others, Andrew Ryan as Jack Taylor (entirely different in character and looks from his character last week of the idiotic Teddie Deacon) and Susan Earnshaw as the super sleuth Miss Maple!

Slow to start but building up to yet another enjoyable evening, The Shadow of the Ghost has something for everyone.

The Shadow of the Ghost is part of the Theatre Royal Windsor’s Classic Thriller Season and runs until June 21. It will be followed by:

Fatal Encounter from June 23-28

Murder Weapon from June 30-July 5

The Gentle Hook from July 7-12

Box office: 01753 853888
Jun 11th

The Ghost Train at the Theatre Royal Windsor

By Clare Brotherwood

Shrieks of laughter as well as horror heralded the opening of the Theatre Royal Windsor’s first ever Classic Thriller Season.

Produced in association with TABS Productions and the Theatre Royal Nottingham, chilling tales from the pens of such writers as Francis Durbridge (creator of the Paul Temple detective series) and Brian Clemens (creator of The Avengers and The Professionals), will be showing over the next five weeks.

The season starts with the comedy thriller The Ghost Train, written in 1923 by Arnold Ridley, best known as Private Godfrey in the TV series Dad’s Army.

Set in 1925 - the year it was first performed - it concerns a group of stranded passengers who are holed up in a haunted railway station overnight.

David Gilbrook’s chilling sound effects together with Alex Marshall’s atmospheric lighting and Geoff Gilder’s station waiting room all help to set the scene for a good night of all-round entertainment, with ghostly goings on working well with the comedy to relieve the tension.

It’s very much a period piece, with old-fashioned manners and a stilted way of talking, rather like in Brief Encounter, though that was to come 20 years later. The language is rather quaint, with nothing stronger than ‘duce’ and ‘beastly’ - amusing in themselves - while the actors throw themselves into their roles with more than a touch of melodrama.

Andrew Ryan and Susan Earnshaw with Edward Parris. Pic: Mike Swift

My favourite character is Teddie Deacon, a flamboyant and rather idiotic figure played with verve and enthusiasm by Andrew Ryan. Susan Earnshaw also steals a scene or two as the elderly Miss Bourne, especially when she over-indulges on the brandy; Angie Smith adds to the hysteria as the neurotic Julia Price, while Adrian Lloyd-James really makes the most of his part as the station master.

The theme continues on June 16 with The Shadow of the Ghost, co-written by Arnold Ridley’s son Nicholas, which takes place on the set of a production of The Ghost Train in a theatre somewhere in the south west of England.

I can’t wait to see it!

Meanwhile, the Theatre Royal Windsor is not only offering special price tickets but also ghost tours. I’ve been on one and, believe me, that theatre is haunted!

The Ghost Train is part of the Theatre Royal Windsor’s Classic Thriller Season and runs until June 14. It will be followed by:

The Shadow of the Ghost from June 16-21

Fatal Encounter from June 23-28

Murder Weapon from June 30-July 5

The Gentle Hook from July 7-12

Box office: 01753 853888
Jun 8th

Stone Cold Murder at The Mill at Sonning

By Clare Brotherwood


With the wind howling through the branches outside French doors, the stage is certainly set for a spooky thriller - and you won’t be disappointed.

Atmospheric from the outset, actor James Cawood’s first ever play goes beyond being a frightener with special effects, however. Taking place in a remote (aren’t they always) Lakeland hotel which is closed for the winter, it’s a meaty story with plenty of action, twists and turns, and Sue Wilson’s direction makes sure it bounds along at a cracking pace.

There are just four characters: newly wedded Olivia and Robert Chappell, who recently took over the hotel and are now hunkering down for the winter; Ramsey, a stranded climber, and Sam Stone who, along with his ex Olivia, is harbouring a deadly secret.

As Olivia, Elinor Lawless is edgy and nervous as she attempts to leave her past behind her and start a new life, while Elliot Chapman as her besotted husband is mild-mannered, though he too has his moment.

Paul Brendan as the climber definitely has an air of mystery about him, and made me feel uneasy, while I couldn’t really get my head round the fact that Nick Waring was playing a villain until I began to think of smiling assassins and psychopaths who charm their victims into their lairs, and then I was scared. But there’s a very unexpected ending which proves that all is not as it seems.

As usual, the set, designed by Tony Eden, is superb, though considering the thunder and lightning outside, the patio remains remarkably dry.

Stone Cold Murder is good entertainment and with dinner thrown in, it’s a night out worth considering.

Stone Cold Murder is at The Mill at Sonning until July 26

Box office: 0118 969 8000
May 28th

A Bunch of Amateurs at The Watermill Playhouse, Newbury

By Clare Brotherwood

A Bunch of Amateurs L to R Jackie Morrison and Mitchell Mullen. Photo Credit C Philip Tull 2014.JPG

Jackie Morrison and Mitchell Mullen. Picture: C Philip Tull

Many years ago, when Jeffrey Archer was starring in his own play The Accused, prior to being jailed for perjury, I happened to mention in my review of the first night that Ian Hislop, who had been sitting close to me, appeared to have enjoyed it. He, hitherto, mentioned my review in Private Eye (not altogether kindly). But if there were any hard feelings (which there weren’t) they would most surely have disappeared after watching the premiere of his uproarious play A Bunch of Amateurs.

Co-written with his long-term collaborator Nick Newman, A Bunch of Amateurs is a new version of the book by Jonathan Gershfield and John Ross, and 2008’s Royal Film Performance.

It’s a hoot from beginning to end and a must-see for theatre lovers. Caroline Leslie must have had great fun directing it.

Am dram group The Stratford Players enlist the help of a has-been Hollywood star to lead a production of King Lear and save their little theatre. Said star thinks he’s coming to Stratford-on-Avon and a professional company and the play charts his sometimes tempestuous relationship with a mixed bag of enthusiasts in Suffolk.

A Bunch of Amateurs takes place in a theatre not unlike the Watermill, which sets the scene perfectly and provides just the right atmosphere without even trying. And when the action moves to the film star’s bed and breakfast accommodation, designer Tom Rogers has created two rooms which cleverly unfold from the sides of the stage.

For the most part the main set is understandably basic as rehearsals (sometimes) proceed, though there is a small scene when the American gives a press conference at Heathrow and soundman Neil Starke ingeniously makes him sound like he’s speaking in a cavernous airport.

There’s a stellar cast, headed by Mitchell Mullen as the movie star Jefferson Steel, and Jackie Morrison as his director Dorothy Nettle.

Mullen exudes arrogance and egotism as the larger than life character whose insecurities are never far below the surface, while Morrison, while appearing gentle and ladylike, packs a punch when dealing with her demanding leading man. I loved it when replying to his requests for a dietician and personal trainer she exclaimed: “Eat less and walk more, Fatty!”

As the play progresses we see how the other members of the company - fawning Mary (Sarah Moyle), who is always saying the wrong thing; Denis (Damian Myerscough), a builder whose common touch wins round Jefferson; Nigel (Michael Hadley), a pompous solicitor whose arrogance and ego almost matches that of Jefferson’s, and who is far more theatrical, and Lauren (played by Emily Bowker) wife of the sponsor.

A sub-plot involving the arrival of Jefferson’s estranged and all-American daughter Jessica (Eleanor Brown), adds depth to the proceedings, as do other unexpected twists and turns... in all, a delightful and delightfully funny piece of theatre which is definitely not performed by a bunch of amateurs!

A Bunch of Amateurs is at The Watermill Playhouse, Newbury until June 28

Box office: 01635 46044
May 22nd

All Creatures Great and Small at the Theatre Royal Windsor

By Clare Brotherwood

As an animal lover I had my doubts about a stage version of James Herriott’s heart-warming tales as a vet in the picturesque Yorkshire Dales.

All Creatures Great and Small

But from the moment the curtain went up on Simon Scullion’s superb set, complete with panoramic view of the Dales, I knew the lack of animals wouldn’t be a problem. After all, Herriott’s tales, which he started writing at the age of 50 and which have since been made into two films and seven BBC TV series (between 1978-1990), were much more about the characters he met on his rounds and not the animals he treated.

And there are certainly plenty of characters in Simon Stallworthy’s adaptation, performed heroically by a cast of just eight.

Most of them are dour farmers and farm managers who take umbrage to the new vet, and these are played, most realistically, by Rob Maloney, Michael Palmer and, I think, Lee Latchford-Evans, the former Steps star who doubles up as Tristan Farnon and brings just enough mischievousness and gaucheness to the part of head vet Siegfried Farnon’s wayward brother. I say I think because it was hard to know at times who was playing who, so diverse were the performances. And in the programme it just said ‘other roles played by members of the company’.

Harriett Hare, who graduated from stage school just last year, also shows her versatility, not only playing the schoolgirl sister of Herriott’s future wife, but also a very young child and a good time girl.

Oliver Mellor, until recently Dr Matt Carter in Coronation Street, is believable in the title role, starting off as a shy rooky vet who is even shyer when it comes to his love life, through his dealings with grumpy farmers and the contrary Siegfried when his confidence grows, to a happy ending when he marries his love and becomes a partner in the practice.

Mark Curry, meanwhile, turns in a good performance as the somewhat erratic Siegfried, and Clare Buckfield is enchanting as the object of Herriott’s desires.

I’ve loved Susan Penhaligon ever since 1976 when she starred in A Bouquet of Barbed Wire. In fact, I remember it so well that it always astounds me when she plays older roles, especially as she’s only three days older than me! And once again she doesn’t disappoint. As the vets’ secretary Miss Harbottle, she is a straight-talking, plain Yorkshire woman, but as Mrs Pumphrey, eccentric owner of the over-indulged Pekinese Tricki Woo, she is wonderfully plummy and over the top.

Almost as much a star of the show is the set, divided into a barn and farm yard and Siegried’s house. With Douglas Kuhrt atmospheric lighting and Dan Samson’s music of yesteryear, you feel you’re right in the Yorkshire Dales.

All Creatures Great and Small continues at the Theatre Royal Windsor until May 31 and then tour:

June 2-7: Theatre Royal Brighton

June 9-14: New Theatre, Cardiff

June 16-21: Kings Theatre, Edinburgh

June 23-28:Yvonne Arnaud Theatre, Guildford

June 30-July 5: Arts Theatre, Cambridge

July 7-12: Hall for Cornwall, Truro

July 14-19: Devonshire Park, Eastbourne

July 28-Aug 2: Richmond Theatre

Aug 4-9: New Victoria Theatre, Woking
May 22nd

MonologueSlam UK at the Birmingham Repertory Company

By Clare Brotherwood

During a recent visit to New York I went to a diner where the waiters are wannabe Broadway stars and sing when they are not serving their customers, hoping they may be discovered.


In the UK, however, aspiring actors, film makers, writers - and just about anyone else in the industry, don’t have to go to such lengths. They just need to apply for one of the many events organised by award-winning actors Fraser Ayres and Jimmy Akingbola under the umbrella of TriForce Promotions.

A few years ago Fraser, who also writes, directs and tutors, and Jimmy, AKA The Malick in BBC’s Holby City and Mick in BBC’s Rev, and now making a film with Dustin Hoffman, started a networking club for people in the industry to connect and make things happen. Now they not only have a monthly ‘Welcome’ social event in London but they have also created a platform for new writing, a short film festival, workshops and the MonologueSlam showcases for aspiring actors.

Held regularly in London, the Slam has also been to Los Angeles and Manchester and, last week, it made its Birmingham debut at the Birmingham Repertory Theatre.

As always there was a distinguished panel to judge the young hopefuls who opted for a one-minute or three-minute speech or an improvisation. This time it was the turn of actress Lorna Laidlaw (receptionist Mrs Tembe in BBC’s Doctors); Peter Lloyd, a senior producer from the BBC; Hannah Miller, head of casting at the RSC; agent Siobhan Kendall, and Tessa Walker, associate director of Birmingham Rep, to pick out the best from 22 competitors who ranged from an 11-year-old to young actors who already run their own companies.

I’ve been to one of these MonologueSlams before and it’s amazing, and invigorating, just how wildly enthusiastic and supportive the audience can be, and how diverse and well-performed the audition pieces are.

The evening, however, is no doubt inspired by Jimmy (known in the industry as Mr Nice), who began his career at the Birmingham Rep in Bill Alexander’s The Nativity in 1999.

Said Jimmy at the last MonologueSlam I went to: “These (MonologueSlams) help you as actors. You are shaping your acting skills. We can’t promise you jobs, but things happen. Basically, it’s about doing it and whatever comes after is a bonus. It’s affecting and changing people’s lives in a positive way.”

This is live theatre in the raw, and things really do happen for people who choose to go to TriForce Promotions for help.

Log on to their website for future events and auditions.
May 4th

A Handful of Stars at Theatre503, Battersea

By Clare Brotherwood

A Handful of Stars - Keith Duffy

Boy band fans could well faint at the sight of Keith Duffy in this revival of Billy Roche’s 1988 play.

But it would have nothing to do with him being a Boyzone star.

For Duffy has chosen to make his London stage debut in a gritty Irish play set in a rundown pool hall in Wexford where shotgun weddings are outnumbered only by random acts of violence.

In the intimate confines of the award-winning Theatre503, with testosterone exuding from the stage, audience members feel like they are part of the action, so real do the characters come across.

Duffy, who made his acting debut as barman Ciaran in Coronation Street 12 years ago, plays a boxer who, although a bit of a lad with the ladies, nonetheless tries to calm down the raging hormones of one particular teenage tearaway. His part isn’t the biggest but he plays it with authority and conviction, and has great stage presence.

Making the most impact is Ciaran Owens as said tearaway, Jimmy Brady, whose violent temper is the core of the play. Sitting so near the stage you can see the anger in his eyes - which makes him at times too close for comfort as he picks on his victims.

In stark contrast, Brian Fenton, who recently took part in the West End production of The Cripple of Inishmaan, is perfect as Jimmy’s sidekick, a shy, rather gauche boy.

There’s excellent support from the rest of the cast: veteran actor Michael O’Hagan gives a heavyweight performance as the elderly, characterful caretaker of the pool hall; Colm Gormley gets right under the skin of the big-mouth Conway; Maureen O’Connell, making her professional debut as Jimmy’s girlfriend Linda, is at times both fiery and submissive, while Michael O’Connor as the wily detective sent shivers down my spine.

A Handful of Stars is tightly directed by Theatre503’s joint artistic director Paul Robinson and makes rivetting entertainment.

A Handful of Stars continues at Theatre503 until May 24.

Box office: 020 7978 7040